2020.02.09 - 2020.04.05
La main du magicien dans la froide lumière du jour
Musée d'art contemporain des Laurentides, Canada
2020.05.08 - 2020.06.29
Ruhr Ding: Climate
Urbane Künste Ruhr, Allemagne
2020.03.26 - 2020.06.21
Zero Emission
Museum Leipzig, Allemagne
2020.03.17
Courant Vert
Espace EDF, Paris
2020.02.11 - 2020.05.12
Thresholds
Palais des Congrès de Montréal, Canada
2019.10.31 - 2019.12.08
Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo
La Havane, Cuba
2019.09.09
Poetry Lies In Between
CityLeaks Festival Center, Cologne, Allemagne
2019.05.20 - 2019.05.24
CoExistence
2019 ICRA-X Robotic Art Program, Palais des congrès de Montréal, Canada
2019.06.04 - 2019.07.13
Révolution
Biennale d’architecture et de paysage Versailles, Paris
2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montréal
2019.02.07 - 2019.05.18
Bonne conduite
Angoulême, France (FRAC Poitou-Charentes)
2019.02.20 - 2019.06.09
Seuils
Âjagemô art space, Ottawa (Conseil des arts du Canada)
2018.11.02 - 2018.11.04
Man Ray, Michel de Broin, Juliette Goiffon & Charles Beauté
Artissima, Turin (Galerie Eva Meyer)
2018.10.20 - Work in progress
Deviations
Vancouver Biennale, Vancouver
2018.09.13 - 2018.11.17
La conduite des conduites
Galerie Division, Montreal
2018.07.07 - 2018.08.12
Natura Loci
Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine
2018.03.26
Michel de Broin & Kim Gerdes – Machines organiques, machines textuelles
École Normale Supérieure, Paris, France
2018.03.08 - 2018.04.17
Affinités électives
Galerie Division, Montréal
2017.08.17 - 2017.10.15
Seuils
KM3 - Un événement d'art public, Quartier des spectacles, Montréal
2017.06.30 - 2017.07.04
Mille spéculations
Bordeaux, France
ARCHIVES DE NOUVELLES

2013.10.24 – 2013.12.07
Artforum critic’s pick
Bitforms Gallery, New York, NY

Michel de Broin’s US solo debut activates cracked lightbulbs, wood logs, bronze castings, and a bicycle with electric currents. The Montreal-based artist calls upon these basic objects to convey fundamental physical forces, all the while adding a trace of whimsy to his works. The result is a constituency of protean ingenuity. A superlative example is Overpower, 2013: A ten-thousand-volt current blazes through a bronze warrior figure that wields a sword over a broken lightbulb. Charged by the voltage, the sword ignites the bulb’s filament, resulting in an electric flash that rushes between the two objects.

The smartly titled sculpture Logged On, 2013, demonstrates the incongruity of de Broin’s practice. A steel girder stands erect on the floor, as a shorter log clings to its side. This strange embrace is maintained by an electrical current fed through a coil inserted into the log, magnetizing it to the steel beam. There is an underlying temporality in this fragile partnership’s reliance on an uninterrupted flow of power: The manmade beam, so much larger than the log, privileges the human product over the human. Elsewhere, a video titled Smoke, 2010, shows a bike being ridden through a cemetery, leaving trails of smoke behind it. De Broin creates this effect by converting the rider’s energy into an electrical current, which activates a smoke machine. As the ghostly fog dissipates it evokes terrestrial impermanence, a note echoed in the headstones through which it drifts. In the gallery, the bike itself rests against a column, affording an inspection of its mechanics. Both of these works require finite energy sources to run transformative systems—if the metaphysical is at play here, the sheer brevity of what is temporal (us) has been brought fully into focus.

— Darren Jones, Artforum