19.11.2021 au 13.02.2022
La 5e Biennale internationale d’art numérique (BIAN), organisée par ELEKTRA
Arsenal Montreal
2021.05.08 - 2021.06.07
Ruhr Ding: Climate
Urbane Künste Ruhr, Allemagne
2020.02.09 - 2020.08.30
La main du magicien dans la froide lumière du jour
Musée d'art contemporain des Laurentides, Canada
2020.06.25 - 2020.11.08
Zero Emission
Museum Leipzig, Allemagne
2020.03.17
Courant Vert
Espace EDF, Paris
2020.02.11 - 2020.05.12
Thresholds
Palais des Congrès de Montréal, Canada
2019.10.31 - 2019.12.08
Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo
La Havane, Cuba
2019.09.09
Poetry Lies In Between
CityLeaks Festival Center, Cologne, Allemagne
2019.05.20 - 2019.05.24
CoExistence
2019 ICRA-X Robotic Art Program, Palais des congrès de Montréal, Canada
2019.06.04 - 2019.07.13
Révolution
Biennale d’architecture et de paysage Versailles, Paris
2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montréal
2019.02.07 - 2019.05.18
Bonne conduite
Angoulême, France (FRAC Poitou-Charentes)
2019.02.20 - 2019.06.09
Seuils
Âjagemô art space, Ottawa (Conseil des arts du Canada)
2018.11.02 - 2018.11.04
Man Ray, Michel de Broin, Juliette Goiffon & Charles Beauté
Artissima, Turin (Galerie Eva Meyer)
2018.10.20 - Work in progress
Deviations
Vancouver Biennale, Vancouver
2018.09.13 - 2018.11.17
La conduite des conduites
Galerie Division, Montreal
2018.07.07 - 2018.08.12
Natura Loci
Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine
2018.03.26
Michel de Broin & Kim Gerdes – Machines organiques, machines textuelles
École Normale Supérieure, Paris, France
2018.03.08 - 2018.04.17
Affinités électives
Galerie Division, Montréal
2017.08.17 - 2017.10.15
Seuils
KM3 - Un événement d'art public, Quartier des spectacles, Montréal
ARCHIVES DE NOUVELLES

2015.04
Artist Residency: Public Art Lab
Public Art Lab, Berlin, Germany

At the inception of life on earth, basic elements copulated happily in what is imagined as a “Primordial soup”. A vibrant diversity of biological matter was born from erotic encounters between methane, ammonia, and hydrogen, and in their gaseous “dance macabre,” more complex entities—organic monomers, amino acids, and then cells—came to be. Now however, two billion years later, scientists have noticed, a  deflation of organic activity on earth since the 20th century: the orgy is coming to an end.
The actions of the human species since the industrial revolution have been a geophysical force acting as a censor, inhibiting organic activity. This epoch wherein the geophysical impact of humans on the planet is made manifest is called the Anthropocene.

After the extinction of humankind, all that will remain is the trash of capitalist production—our garbage will persist long after we are gone. Amid the death, waste and residue, a new molecular dance may begin. Molysmocène is a stop-motion film that depicts this moment, when after the extinction of life, like at the origin of existence, new life is born again from inanimate matter, a dance of chemicals. Rather than the basic elements spawning from the stuff of stars however, the film will distill the extraordinary moment when new life is forged from the erotic exploits of the refuse left behind.