2024.11.30 – 2025.11.30
Tubulus et Syndrome
Experience Pommery #18, Reims, France
2024.10.31 – 2025.01.04
Interior and the Collectors, no. 15
Arles, France
2024.10.04
Corps Tensible
Jing'an Sculpture Park, Shanghai, China
2024.09.25 – 2024.12.01
Echoes Among Us
Shanghai, China
2024.09.21 - 2025.01.05
Les voix des fleuves, la 17° biennale d'art contemporain de Lyon
Lyon, France
2024.07.18 – 2024.09.14
Absolute Chairs
Aichi Prefectural Museum of Art, Japan
2024.04.26 – 2024.09.01
Humain Autonome : Déroutes
Musée d'art contemporain du Val-de-Marne, France
2024.01.01 – 2024.06.30
Résidence à la cité internationale des arts
Paris, France
2022.10.31
Embrase-moi à la Musée d'art de Joliette
Joliette, Québec
2021.11.19. au 2022.02.13
La 5e Biennale internationale d’art numérique (BIAN), organisée par ELEKTRA
Arsenal Montreal
2021.05.08 - 2021.06.07
Ruhr Ding: Climate
Urbane Künste Ruhr, Allemagne
2020.02.09 - 2020.08.30
La main du magicien dans la froide lumière du jour
Musée d'art contemporain des Laurentides, Canada
2020.06.25 - 2020.11.08
Zero Emission
Museum Leipzig, Allemagne
2020.03.17
Courant Vert
Espace EDF, Paris
2020.02.11 - 2020.05.12
Thresholds
Palais des Congrès de Montréal, Canada
2019.10.31 - 2019.12.08
Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo
La Havane, Cuba
2019.09.09
Poetry Lies In Between
CityLeaks Festival Center, Cologne, Allemagne
2019.05.20 - 2019.05.24
CoExistence
2019 ICRA-X Robotic Art Program, Palais des congrès de Montréal, Canada
2019.06.04 - 2019.07.13
Révolution
Biennale d’architecture et de paysage Versailles, Paris
2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montréal
ARCHIVES DE NOUVELLES

2014.11.19 – 2014.11.14
Media Architecture Biennale 2014
Godsbanen Center for Cultural Production, Aarhus, Denmark


Smashy Face, 2014

This wall installation proposes an interaction with media architecture inspired by skill games, amusement parks and by the recent archeological discovery of Stone Age smiling faces in the Amazon River. Placed on the wall in the form of a 16 x 16 grid, 256 incandescent light bulbs are used as a canvas for a Stone Age inspired performance. I used a cobblestone taken from a Berlin road as a tool to draw a face by smashing select light bulbs on the grid. The installation will need no external power to smile.

In the context of a media arts festival, Smashy Face undermines the ever-present imperative to use increasingly complex technologies as a means of feigning innovation. Returning to analog forms of image making—but making wry reference to binary expression with the bit-like 16 x 16 grid—each light bulb smashed represents an exploded pixel here. The work stands in stark contrast to the embellished technological works, to suggest instead, that there remains traction in concise gestures and raw materials.