2020.02.09 - 2020.04.05
La main du magicien dans la froide lumière du jour
Musée d'art contemporain des Laurentides, Canada
2020.05.08 - 2020.06.29
Ruhr Ding: Climate
Urbane Künste Ruhr, Germany
2020.03.26 - 2020.06.21
Zero Emission
Museum Leipzig, Germany
2020.03.17
Courant Vert
Espace EDF, Paris
2020.02.11 - 2020.05.12
Thresholds
Palais des Congrès de Montréal, Canada
2019.10.31 - 2019.12.08
Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo
Havana, Cuba
2019.09.09
Poetry Lies In Between
CityLeaks Festival Center, Cologne, Germany
2019.05.20 - 2019.05.24
CoExistence
2019 ICRA-X Robotic Art Program, Palais des congrès de Montréal, Canada
2019.05.04 - 2019.07.13
Revolution
Biennale d’architecture et de paysage Versailles, Paris
2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montreal
2019.02.07 - 2019.05.18
Bonne conduite
Angoulême, France (FRAC Poitou-Charentes)
2019.02.20 - 2019.06.09
Thresholds
Âjagemô art space, Ottawa (Canada Council for the Arts)
2018.11.02 - 2018.11.04
Man Ray, Michel de Broin, Juliette Goiffon & Charles Beauté
Artissima, Turin (Galerie Eva Meyer)
2018.10.20 - Work in progress
Deviations
Vancouver Biennale, Vancouver
2018.09.13 - 2018.11.17
La conduite des conduites
Galerie Division, Montreal
2018.07.07 - 2018.08.12
Natura Loci
Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine
2018.03.26
Michel de Broin & Kim Gerdes – Machines organiques, machines textuelles
École Normale Supérieure, Paris, France
2018.03.08 - 2018.04.17
Elective affinities
Galerie Division, Montreal
2017.08.17 - 2017.10.15
Thresholds
KM3 - A Public Art Event, Quartier des spectacles, Montreal
2017.06.30 - 2017.07.04
Mille spéculations
Bordeaux, France
NEWS ARCHIVES

2014.11.19 – 2014.11.14
Media Architecture Biennale 2014
Godsbanen Center for Cultural Production, Aarhus, Denmark


Smashy Face, 
2014

This wall installation proposes an interaction with media architecture inspired by skill games, amusement parks and by the recent archeological discovery of Stone Age smiling faces in the Amazon River. Placed on the wall in the form of a 16 x 16 grid, 256 incandescent light bulbs are used as a canvas for a Stone Age inspired performance. I used a cobblestone taken from a Berlin road as a tool to draw a face by smashing select light bulbs on the grid. The installation will need no external power to smile.

In the context of a media arts festival, Smashy Face undermines the ever-present imperative to use increasingly complex technologies as a means of feigning innovation. Returning to analog forms of image making—but making wry reference to binary expression with the bit-like 16 x 16 grid—each light bulb smashed represents an exploded pixel here. The work stands in stark contrast to the embellished technological works, to suggest instead, that there remains traction in concise gestures and raw materials.