2024.11.30 – 2025.11.30
Tubulus et Syndrome
Experience Pommery #18, Reims, France
2024.10.31 – 2025.01.04
Interior and the Collectors, no. 15
Arles, France
2024.10.04
Tensile Body
Jing'an Sculpture Park, Shanghai, China
2024.09.25 – 2024.12.01
Echoes Among Us
Shanghai, China
2024.09.21 - 2025.01.05
Crossing the water, the 17th biennale d'art contemporain de Lyon
Lyon, France
2024.07.18 – 2024.09.14
Absolute Chairs
Aichi Prefectural Museum of Art, Japan
2024.04.26 – 2024.09.01
Humain Autonome : Déroutes
Musée d'art contemporain du Val-de-Marne, France
2024.01.01 – 2024.06.30
Artist-in-residence at la cité internationale des arts
Paris, France
2022.10.31 Embrase-moi at the Musée d'art de Joliette
Joliette, Québec
2021.11.19. au 2022.02.13
The 5th International Digital Art Biennial (BIAN), organized by ELEKTRA
Arsenal Montreal
2021.05.08 - 2021.06.07
Ruhr Ding: Climate
Urbane Künste Ruhr, Germany
2020.02.09 - 2020.08.30
La main du magicien dans la froide lumière du jour
Musée d'art contemporain des Laurentides, Canada
2020.06.25 - 2020.11.08
Zero Emission
Museum Leipzig, Germany
2020.03.17
Courant Vert
Espace EDF, Paris
2020.02.11 - 2020.05.12
Thresholds
Palais des Congrès de Montréal, Canada
2019.10.31 - 2019.12.08
Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo
Havana, Cuba
2019.09.09
Poetry Lies In Between
CityLeaks Festival Center, Cologne, Germany
2019.05.20 - 2019.05.24
CoExistence
2019 ICRA-X Robotic Art Program, Palais des congrès de Montréal, Canada
2019.05.04 - 2019.07.13
Revolution
Biennale d’architecture et de paysage Versailles, Paris
2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montreal
NEWS ARCHIVES

2020.02.09 – 2020.08.30
Milutin Gubash –  La main du magicien dans la froide lumière du jour
Curator Michel de Broin
Musée d’art contemporain des Laurentides – MAC LAU
In a world where exhausted resources force us to invent new solutions, the installation shows dismembered and acephalic bodies that regain control over their self-representation. How can we reconnect the pieces of the puzzle, when several pieces of the game are lost, there is no more glue or nail and the raw materials necessary to power our technology run out? Milutin’s installation is a low-tech spectacle of human comedy were the digressive game of a dance of death is recorded by obsolete devices whose image is blurred.Between reality and fiction, with his sense of burlesque tragedy, Milutin Gubash reconstructs his imaginary relationship with his native country from the stories told by his family. The animated members of this macabre dance, a memory of the collateral victims of the war, are staged not without humor and derision. Illuminated by fragments of depleted uranium, the specters continue to dance.  (Michel de Broin)