19.11.2021 - 13.02.2022
The 5th International Digital Art Biennial (BIAN), organized by ELEKTRA
Arsenal Montreal
2021.05.08 - 2021.06.07
Ruhr Ding: Climate
Urbane Künste Ruhr, Germany
2020.02.09 - 2020.08.30
La main du magicien dans la froide lumière du jour
Musée d'art contemporain des Laurentides, Canada
2020.06.25 - 2020.11.08
Zero Emission
Museum Leipzig, Germany
2020.03.17
Courant Vert
Espace EDF, Paris
2020.02.11 - 2020.05.12
Thresholds
Palais des Congrès de Montréal, Canada
2019.10.31 - 2019.12.08
Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo
Havana, Cuba
2019.09.09
Poetry Lies In Between
CityLeaks Festival Center, Cologne, Germany
2019.05.20 - 2019.05.24
CoExistence
2019 ICRA-X Robotic Art Program, Palais des congrès de Montréal, Canada
2019.05.04 - 2019.07.13
Revolution
Biennale d’architecture et de paysage Versailles, Paris
2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montreal
2019.02.07 - 2019.05.18
Bonne conduite
Angoulême, France (FRAC Poitou-Charentes)
2019.02.20 - 2019.06.09
Thresholds
Âjagemô art space, Ottawa (Canada Council for the Arts)
2018.11.02 - 2018.11.04
Man Ray, Michel de Broin, Juliette Goiffon & Charles Beauté
Artissima, Turin (Galerie Eva Meyer)
2018.10.20 - Work in progress
Deviations
Vancouver Biennale, Vancouver
2018.09.13 - 2018.11.17
La conduite des conduites
Galerie Division, Montreal
2018.07.07 - 2018.08.12
Natura Loci
Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine
2018.03.26
Michel de Broin & Kim Gerdes – Machines organiques, machines textuelles
École Normale Supérieure, Paris, France
2018.03.08 - 2018.04.17
Elective affinities
Galerie Division, Montreal
2017.08.17 - 2017.10.15
Thresholds
KM3 - A Public Art Event, Quartier des spectacles, Montreal
NEWS ARCHIVES

2015.10.22 – 2015.10.25
Feature: Contemporary Art Fair
AGAC, Toronto, ON

Speaking of controlled skidding, Drunkated Buckyball (2015) resembling a geodesic structure, would seem to be an unstoppable system. The cocktail stirrers that form it deregulate the ordered assembly with their animal and corporate ornaments, their cheerful colors of intoxication. A tightrope walker’s exercise, these fragile specimens of a collection signaling drift fool their world. Molded in bronze and painted, the delicate instruments have undergone a shaping that twists them. A modus operandi that is decidedly favored by the artist whose wanderings of the mind appear to be crystallized in the center of space in this metal circuit crossed by chromatic interruptions, between a memory card and a competition track. (Bénédicte Ramade, 2015)


left to right:
Drunkated Isocahedron, 2015, 90 x 90 x 90 cm
Drunkated ll (rising), 2015, 8 x 8 x 140 cm
Drunkated lll (geodesic), 2015, 30 x 30 x 30 cm
Drunkated I (explode), 2015, 30 x 30 x 53 cm