2019.05.04 - 2019.07.13
Revolution
Biennale d’architecture et de paysage Versailles, Paris
2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montreal
2019.02.07 - 2019.05.18
Bonne conduite
Angoulême, France (FRAC Poitou-Charentes)
2019.02.20 - 2019.06.09
Thresholds
Âjagemô art space, Ottawa (Canada Council for the Arts)
2018.11.02 - 2018.11.04
Man Ray, Michel de Broin, Juliette Goiffon & Charles Beauté
Artissima, Turin (Galerie Eva Meyer)
2018.10.20 - Work in progress
Deviations
Vancouver Biennale, Vancouver
2018.09.13 - 2018.11.17
La conduite des conduites
Galerie Division, Montreal
2018.07.07 - 2018.08.12
Natura Loci
Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine
2018.03.26
Michel de Broin & Kim Gerdes – Machines organiques, machines textuelles
École Normale Supérieure, Paris, France
2018.03.08 - 2018.04.17
Elective affinities
Galerie Division, Montreal
2017.08.17 - 2017.10.15
Thresholds
KM3 - A Public Art Event, Quartier des spectacles, Montreal
2017.06.30 - 2017.07.04
Mille spéculations
Bordeaux, France
2017.06.17 - 2017.09.24
La chose en soi
Musée régional de Rimouski
2017.06.28 - 2017.06.30
Make Soccer Great Again
À perte de vue, AXENÉO7, La Fonderie, Gatineau, QC
2017.06.02 - 2017.07.22
Alluring Shapes, Tempting Spaces
Galerie Eva-Meyer, Paris
Inauguration August 2017
Dendrites
Bonaventure Project, Montreal
2016.12.13
The Imaginary Reader
Volt, Oslo, Norway
2016.12.03 - 2017.01.17
Whole World Working
Collective gallery, Edinburgh, Scotland, UK
2015.12.05 - 2016.01.31
Prosopopées, quand les objets prennent vie
Centquatre, Biennale internationale des arts numériques, Paris
2016.06.16
One Thousand Speculations
Luminato Festival 2016, Hearn Power Station, Toronto
NEWS ARCHIVES

2015.10.22 – 2015.10.25
Feature: Contemporary Art Fair
AGAC, Toronto, ON

Speaking of controlled skidding, Drunkated Buckyball (2015) resembling a geodesic structure, would seem to be an unstoppable system. The cocktail stirrers that form it deregulate the ordered assembly with their animal and corporate ornaments, their cheerful colors of intoxication. A tightrope walker’s exercise, these fragile specimens of a collection signaling drift fool their world. Molded in bronze and painted, the delicate instruments have undergone a shaping that twists them. A modus operandi that is decidedly favored by the artist whose wanderings of the mind appear to be crystallized in the center of space in this metal circuit crossed by chromatic interruptions, between a memory card and a competition track. (Bénédicte Ramade, 2015)


left to right:
Drunkated Isocahedron, 2015, 90 x 90 x 90 cm
Drunkated ll (rising), 2015, 8 x 8 x 140 cm
Drunkated lll (geodesic), 2015, 30 x 30 x 30 cm
Drunkated I (explode), 2015, 30 x 30 x 53 cm