2019.02.20 - 2019.06.09
Thresholds
Âjagemô art space, Ottawa (Canada Council for the Arts)
2019.02.07 - 2019.05.18
Bonne conduite
Angoulême, France (FRAC Poitou-Charentes)
2018.11.02 - 2018.11.04
Man Ray, Michel de Broin, Juliette Goiffon & Charles Beauté
Artissima, Turin (Galerie Eva Meyer)
2018.10.20 - Work in progress
Deviations
Vancouver Biennale, Vancouver
2018.09.13 - 2018.11.17
La conduite des conduites
Galerie Division, Montreal
2018.07.07 - 2018.08.12
Natura Loci
Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine
2018.03.26
Michel de Broin & Kim Gerdes – Machines organiques, machines textuelles
École Normale Supérieure, Paris, France
2018.03.08 - 2018.04.17
Elective affinities
Galerie Division, Montreal
2017.08.17 - 2017.10.15
Thresholds
KM3 - A Public Art Event, Quartier des spectacles, Montreal
2017.06.30 - 2017.07.04
Mille spéculations
Bordeaux, France
2017.06.17 - 2017.09.24
La chose en soi
Musée régional de Rimouski
2017.06.28 - 2017.06.30
Make Soccer Great Again
À perte de vue, AXENÉO7, La Fonderie, Gatineau, QC
2017.06.02 - 2017.07.22
Alluring Shapes, Tempting Spaces
Galerie Eva-Meyer, Paris
Inauguration August 2017
Dendrites
Bonaventure Project, Montreal
2016.12.13
The Imaginary Reader
Volt, Oslo, Norway
2016.12.03 - 2017.01.17
Whole World Working
Collective gallery, Edinburgh, Scotland, UK
2015.12.05 - 2016.01.31
Prosopopées, quand les objets prennent vie
Centquatre, Biennale internationale des arts numériques, Paris
2016.06.16
One Thousand Speculations
Luminato Festival 2016, Hearn Power Station, Toronto
2016.09.14 - 2017.05.31
Expérience #13: Gigantesque !
Domaine Pommery, Reims, France
2016.10.16 - 2016.12.25
This and That
Division gallery Toronto
NEWS ARCHIVES

2015.11.06 – 2015.11.29
Human Futures
FACT, Liverpool, UK

Rien ne va plus is a French phrase used by roulette croupiers before fatally spinning the ball into the wheel, to announce that no more bets are allowed on the table. However, Rien ne va plus also translates as “nothing works anymore”, transcending the gambling environment and alluding to the wider state of the world.

Rien ne va plus is a site-specific audio installation in one of the exterior ventilation grids of the FACT building. The sound of clinking coins and slot machines produce the illusion that the institution has been converted into a casino. Through this simple and playful gesture, Michel de Broin poignantly comments on the the prevailing economics and politics of free market neoliberalism, and the so-called “casino capitalism” of our financial system. At the same time, and in the spirit of institutional critique, the work sheds light on the current climate of public cuts in the cultural sector, and the ensuing pressure to prioritize commercialization over values such as knowledge generation or commonality. (Ana Botella, Curator)


Rien ne va plus, 2015