2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montreal
2019.02.07 - 2019.05.18
Bonne conduite
Angoulême, France (FRAC Poitou-Charentes)
2019.02.20 - 2019.06.09
Thresholds
Âjagemô art space, Ottawa (Canada Council for the Arts)
2018.11.02 - 2018.11.04
Man Ray, Michel de Broin, Juliette Goiffon & Charles Beauté
Artissima, Turin (Galerie Eva Meyer)
2018.10.20 - Work in progress
Deviations
Vancouver Biennale, Vancouver
2018.09.13 - 2018.11.17
La conduite des conduites
Galerie Division, Montreal
2018.07.07 - 2018.08.12
Natura Loci
Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine
2018.03.26
Michel de Broin & Kim Gerdes – Machines organiques, machines textuelles
École Normale Supérieure, Paris, France
2018.03.08 - 2018.04.17
Elective affinities
Galerie Division, Montreal
2017.08.17 - 2017.10.15
Thresholds
KM3 - A Public Art Event, Quartier des spectacles, Montreal
2017.06.30 - 2017.07.04
Mille spéculations
Bordeaux, France
2017.06.17 - 2017.09.24
La chose en soi
Musée régional de Rimouski
2017.06.28 - 2017.06.30
Make Soccer Great Again
À perte de vue, AXENÉO7, La Fonderie, Gatineau, QC
2017.06.02 - 2017.07.22
Alluring Shapes, Tempting Spaces
Galerie Eva-Meyer, Paris
Inauguration August 2017
Dendrites
Bonaventure Project, Montreal
2016.12.13
The Imaginary Reader
Volt, Oslo, Norway
2016.12.03 - 2017.01.17
Whole World Working
Collective gallery, Edinburgh, Scotland, UK
2015.12.05 - 2016.01.31
Prosopopées, quand les objets prennent vie
Centquatre, Biennale internationale des arts numériques, Paris
2016.06.16
One Thousand Speculations
Luminato Festival 2016, Hearn Power Station, Toronto
2016.09.14 - 2017.05.31
Expérience #13: Gigantesque !
Domaine Pommery, Reims, France
NEWS ARCHIVES

2016
Interlude
Musée National des Beaux-Arts du Québec, Quebec city

Interlude, Bronze, aluminium, glass, natural gaz, 105 x 359 x 309 cm

Interlude places fire in the heart of a remodelled television set:  an homage to the domestication of fire 400 000 years ago. Devoid of its broadcasting function, the device is converted into a fireplace. Meaning “distant”, the prefix “tele” evokes the disconnection generated by media between its content and the viewer. Using this Palaeolithic innovation, Interlude attempts to reestablish the immediacy of communication, a presence that stands in contrast to the information networks distancing us from actual events. It invites us to huddle around its unmediated blaze.