2020.02.09 - 2020.04.05
La main du magicien dans la froide lumière du jour
Musée d'art contemporain des Laurentides, Canada
2020.05.08 - 2020.06.29
Ruhr Ding: Climate
Urbane Künste Ruhr, Germany
2020.03.26 - 2020.06.21
Zero Emission
Museum Leipzig, Germany
2020.03.17
Courant Vert
Espace EDF, Paris
2020.02.11 - 2020.05.12
Thresholds
Palais des Congrès de Montréal, Canada
2019.10.31 - 2019.12.08
Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo
Havana, Cuba
2019.09.09
Poetry Lies In Between
CityLeaks Festival Center, Cologne, Germany
2019.05.20 - 2019.05.24
CoExistence
2019 ICRA-X Robotic Art Program, Palais des congrès de Montréal, Canada
2019.05.04 - 2019.07.13
Revolution
Biennale d’architecture et de paysage Versailles, Paris
2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montreal
2019.02.07 - 2019.05.18
Bonne conduite
Angoulême, France (FRAC Poitou-Charentes)
2019.02.20 - 2019.06.09
Thresholds
Âjagemô art space, Ottawa (Canada Council for the Arts)
2018.11.02 - 2018.11.04
Man Ray, Michel de Broin, Juliette Goiffon & Charles Beauté
Artissima, Turin (Galerie Eva Meyer)
2018.10.20 - Work in progress
Deviations
Vancouver Biennale, Vancouver
2018.09.13 - 2018.11.17
La conduite des conduites
Galerie Division, Montreal
2018.07.07 - 2018.08.12
Natura Loci
Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine
2018.03.26
Michel de Broin & Kim Gerdes – Machines organiques, machines textuelles
École Normale Supérieure, Paris, France
2018.03.08 - 2018.04.17
Elective affinities
Galerie Division, Montreal
2017.08.17 - 2017.10.15
Thresholds
KM3 - A Public Art Event, Quartier des spectacles, Montreal
2017.06.30 - 2017.07.04
Mille spéculations
Bordeaux, France
NEWS ARCHIVES

2018.09.13 – 2018.11.17
La conduite des conduites
Galerie Division, Montreal

This exhibition proposes an interplay between the modeling of behaviour (the term “conduites” in french means ‘pipe’ but also ‘behaviour’ – in this case of objects or bodies) and the channeling of emotional responses, flows and energy. Using common objects – furniture, pipes, flanges, and light bulbs – the artist defamiliarizes technical systems, deforming, rupturing or boring holes in otherwise recognizable forms and encouraging the viewer to untangle each object’s contradictions. The curves and sinuosities of his conduits pit dynamic circulation against the sight of resistance or dissipation. Disturbing the expectations of industrial systems and their promise of efficiency, optimization and innovation, the artist imagines the mechanical differently from the one we encounter in our daily life. The works open gaps in the world, introducing flaws and spaces freed from the causality shaping our relationship with design. Sentient bodies lurk behind these ostensibly technical objects. While we expect them to function and produce, the unpredictable assemblages escape the world of things in search of new and sensitive possibilities.