19.11.2021 - 13.02.2022
The 5th International Digital Art Biennial (BIAN), organized by ELEKTRA
Arsenal Montreal
2021.05.08 - 2021.06.07
Ruhr Ding: Climate
Urbane Künste Ruhr, Germany
2020.02.09 - 2020.08.30
La main du magicien dans la froide lumière du jour
Musée d'art contemporain des Laurentides, Canada
2020.06.25 - 2020.11.08
Zero Emission
Museum Leipzig, Germany
Courant Vert
Espace EDF, Paris
2020.02.11 - 2020.05.12
Palais des Congrès de Montréal, Canada
2019.10.31 - 2019.12.08
Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo
Havana, Cuba
Poetry Lies In Between
CityLeaks Festival Center, Cologne, Germany
2019.05.20 - 2019.05.24
2019 ICRA-X Robotic Art Program, Palais des congrès de Montréal, Canada
2019.05.04 - 2019.07.13
Biennale d’architecture et de paysage Versailles, Paris
2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montreal
2019.02.07 - 2019.05.18
Bonne conduite
Angoulême, France (FRAC Poitou-Charentes)
2019.02.20 - 2019.06.09
Âjagemô art space, Ottawa (Canada Council for the Arts)
2018.11.02 - 2018.11.04
Man Ray, Michel de Broin, Juliette Goiffon & Charles Beauté
Artissima, Turin (Galerie Eva Meyer)
2018.10.20 - Work in progress
Vancouver Biennale, Vancouver
2018.09.13 - 2018.11.17
La conduite des conduites
Galerie Division, Montreal
2018.07.07 - 2018.08.12
Natura Loci
Magasin Général, Sainte-Madeleine-de-la-Rivière-Madeleine
Michel de Broin & Kim Gerdes – Machines organiques, machines textuelles
École Normale Supérieure, Paris, France
2018.03.08 - 2018.04.17
Elective affinities
Galerie Division, Montreal
2017.08.17 - 2017.10.15
KM3 - A Public Art Event, Quartier des spectacles, Montreal

Inauguration: August 2015
Calgary Municipal Land Corporation, St. Patrick’s Island, Calgary

Bloom, 2015

Bloom is the winning project of a public art competition organized by the Calgary Municipal Land Corporation in April of 2013. The light-and-metal sculpture measures 24 meters and will be installed on St. Patrick’s Island in Calgary. The competition guidelines outlined the necessity for a sculpture that would be visible at night, in order to encourage people to frequent the site, which in recent decades has witnessed a decline in use. I accepted an invitation to participate in this national competition as I very compelled by the site, and could imagine my project contributing to the outstanding work of the landscape architect Barbara Wilks (W Architecture & Landscape Architecture). Wilks describes the site: “The 30-acre Living Island is all about creating a lasting and sustainable set of experiences that will attract a diversity of people, families and groups. Park elements include a new channel and beach, bikeway, new wetland habitat and boardwalk, interactive water feature, picnic areas, play areas and a multi-use space for festivals or markets are carefully positioned in restored natural areas to create a Living Island as an Active Park.”

As a child, I spent much time on Ile Saint-Helene in Montreal, an island comparable to St. Patrick’s Island in Calgary. The island was once host to Montreal’s most ambitious exhibition: Expo 67. While many traces—architectural, infrastructural—endure (Buckminster Fuller’s geodesic dome for example) Alexander Calder’s monumental public art sculpture, L’Homme, is perhaps the most important and significant remnant, and one of the greatest monumental sculptures in Canada.

Calder’s L’Homme is situated on an island comparable to St. Patrick’s Island. Strongly influence by this significant work, I wanted to actualize some similar formal strategies in my work Bloom.

Inspired by an encounter between the natural landscape of the park and the urban cityscape, large streetlights are assembled organically in Bloom: a seed of the city sprouted among the trees. This monumental sculpture of streetlights blossoms, softly awakening the island and watching over it at night. The monumentality of the lights lies in sharp contrast to the delicacy of the stems, filaments and petals. Devices of attraction, flowers and lights create points of encounter and interaction.

Bloom has been sited in reference to existing paths throughout the island.Tilted around an elaborate polyhedron, the tall poles extend their extremities in a stellation. Like a burst of rays, the asymmetrically arranged streetlights show all possible directions outward and concentrate strength inward. The projections of light connect the artwork to paths on the island and in turn, create a node or point of focus. By illuminating important routes, the radiant shape helps the urban dweller orient themselves within the city.

The sculpture introduces oblique lines in the landscape by folding the existing cityscape. Folding is a baroque strategy that produces movement, tension and exuberance. Bloom can be experienced from afar as a landmark and point of orientation. Equally compelling is the way Bloom is anchored to the ground extending its arms, embracing the sky.

The configuration of Bloom’s three supporting limbs liberates the ground in and around the sculpture. Rather than occupying a set area, commandeering the ground space at the expense of such a space’s other possible uses, Bloom instead creates a vibrant locale for congregation, interaction, and possibility in allowing people to make use of the space underneath and around the sculpture. L’Homme by Calder is in much the same spirit; rather than oppressively occupying a massive space, removing other possible uses for such space. Bloom creates a dynamic environment that invites people into its midst.

In Montreal, the Calder sculpture has achieved this in myriad ways; throughout the year it is sought out as a destination to meet, relax, or congregate, and it is now host to the incredibly popular Piknic Electronik music festival, which takes place throughout the summer, “under the Calder.” In this way, the sculpture is essential and instrumental to the vibrant music and festivals culture of Montreal; it is more then a work of art, it is a landmark of the city, it is the identity of the city.

Just as the abstract limbs of L’Homme play host to diverse interactions, the ubiquitous street lamps of Bloom, and the interaction they create between the natural landscape, the urban cityscape, and the people that populate them, promise to create new, varied, and enriching possibilities on St. Patrick’s Island.

Bike and pedestrian paths wind around and underneath and will allow people to interact with the sculpture and see it in detail. On the other hand, from the bridge and opposite shores, one can see the sculpture as a unified entity. For many thousands of years before the invention of the compass, the brightest stars in the sky guided us. Stars show direction and provide an imaginary goal to reach, a point representing the end of a journey. The star has multiple related meanings: direction, expectation, emancipation and light. Bloom can serve the same role for the city; it is a symbol of a promising new beginning for St. Patrick’s Island.