2024.11.30 – 2025.11.30
Tubulus et Syndrome
Experience Pommery #18, Reims, France
2024.10.31 – 2025.01.04
Interior and the Collectors, no. 15
Arles, France
2024.10.04
Tensile Body
Jing'an Sculpture Park, Shanghai, China
2024.09.25 – 2024.12.01
Echoes Among Us
Shanghai, China
2024.09.21 - 2025.01.05
Crossing the water, the 17th biennale d'art contemporain de Lyon
Lyon, France
2024.07.18 – 2024.09.14
Absolute Chairs
Aichi Prefectural Museum of Art, Japan
2024.04.26 – 2024.09.01
Humain Autonome : Déroutes
Musée d'art contemporain du Val-de-Marne, France
2024.01.01 – 2024.06.30
Artist-in-residence at la cité internationale des arts
Paris, France
2022.10.31 Embrase-moi at the Musée d'art de Joliette
Joliette, Québec
2021.11.19. au 2022.02.13
The 5th International Digital Art Biennial (BIAN), organized by ELEKTRA
Arsenal Montreal
2021.05.08 - 2021.06.07
Ruhr Ding: Climate
Urbane Künste Ruhr, Germany
2020.02.09 - 2020.08.30
La main du magicien dans la froide lumière du jour
Musée d'art contemporain des Laurentides, Canada
2020.06.25 - 2020.11.08
Zero Emission
Museum Leipzig, Germany
2020.03.17
Courant Vert
Espace EDF, Paris
2020.02.11 - 2020.05.12
Thresholds
Palais des Congrès de Montréal, Canada
2019.10.31 - 2019.12.08
Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo
Havana, Cuba
2019.09.09
Poetry Lies In Between
CityLeaks Festival Center, Cologne, Germany
2019.05.20 - 2019.05.24
CoExistence
2019 ICRA-X Robotic Art Program, Palais des congrès de Montréal, Canada
2019.05.04 - 2019.07.13
Revolution
Biennale d’architecture et de paysage Versailles, Paris
2019.03.08 - 2019.04.13
Salle des maquettes
Galerie de l'UQAM, Montreal
NEWS ARCHIVES

2018.09.13 – 2018.11.17
La conduite des conduites
Galerie Division, Montreal

This exhibition proposes an interplay between the modeling of behaviour (the term “conduites” in french means ‘pipe’ but also ‘behaviour’ – in this case of objects or bodies) and the channeling of emotional responses, flows and energy. Using common objects – furniture, pipes, flanges, and light bulbs – the artist defamiliarizes technical systems, deforming, rupturing or boring holes in otherwise recognizable forms and encouraging the viewer to untangle each object’s contradictions. The curves and sinuosities of his conduits pit dynamic circulation against the sight of resistance or dissipation. Disturbing the expectations of industrial systems and their promise of efficiency, optimization and innovation, the artist imagines the mechanical differently from the one we encounter in our daily life. The works open gaps in the world, introducing flaws and spaces freed from the causality shaping our relationship with design. Sentient bodies lurk behind these ostensibly technical objects. While we expect them to function and produce, the unpredictable assemblages escape the world of things in search of new and sensitive possibilities.