Seuils
Nathalie Bachand, Conseil des arts du Canada
Les châteaux de sable
Michel de Broin, Inter, art actuel #130
Sculpture of Steel, City of Nerves
Bernard Schütze, Espace art actuel
Michel de Broin
Bryne McLaughlin, Art in America
Disruption From Within
Rodney LaTourelle, Plug-In ICA
Entrevue
Michel de Broin, Etienne Zack, Mass MoCA
Montreal’s Retired Metro Cars Are Staying Busy
Mark Byrnes, City Lab
Michel de Broin BMO Project Room
Bryne McLaughlin, Canadian Art
Where is Michel de Broin?
Anne Schreiber, Art Net Magazine
Michel de Broin at Bitform Gallery
Darren Jones, Artforum
Une oeuvre monumentale
Éric Clément, La Presse
Construire des chateaux… Dans le ciel de Toronto
Éric Clément, La Presse
La disspiation sur le virage
Laetitia Chauvin, Esse
Michel de Broin: une oeuvre publique à sauver
Éric Clément, La Presse
Castles Made of Sand
Bryne McLaughlin, BMO project Space
Mécanismes entropiques et appareils remodelés : Michel de Broin et l’inconscient technologique
Daniel Sherer, Musée d’art contemporain de Montréal
Le vivre ensemble
Annie Gérin, Presses de l’Université Laval
Un électron libre aux confins des genres
Jérôme Delgado, Le Devoir
Danger awakens the senses: An interview
Oli Sorenson, MKOS
Un Michel de Broin un brin solennel mais redoutable
Benedicte Ramade, Zéro deux
Interview with Michel de Broin
Regine, We Make Money Not Art
Bright Matter
Sarah Milroy, Canadian Art Magazine
Michel de Broin
John K Grande, Border Crossings magazine
Cities of Light
Bryne McLaughlin, Canadian Art Magazine
Michel de Broin: From Mad Scientist to Pied Piper
Shannon Anderson, Canadian Art
Une éternelle semence
Jérôme Delgado, Le Devoir
Michel de Broin at Mercer Union
Alex Snukal, Uncubed Magazine
Énergie réciproque
Bénédicte Ramade, MacVal
Pièces à conviction
Marie-Ève Charron, Le Devoir
Neue Heimat
Bernard Schutze, Berlinische Galerie
Entre le possible et l’impossible
Nathalie de Blois, Musée national des beaux arts du Québec
L‘art comme conspiration
Jean-Ernest Joos, ETC Montréal
Propulsion and entropy
Bernard Schutze, C-Magazine
Reverse Entropy
Thomas Wulfen, Kunstlerhaus Bethanien
Objeux pour Objoies: l’attrait de l’imprévisible
Stephen Wright, Semaine
A Logic of Being Against?
Bernard Lamarche, Parachute
Épater la Galerie
Jean-Ernest Joos, Villa Merkel
L’espace public mis à nu par l’artiste même
Jean-Philippe Uzel, Spirale
Résistance?
André-L. Paré, Etc. Magazine

Michel de Broin at Bitform Gallery, Darren Jones

Artforum

 

Michel de Broin’s US solo debut activates cracked lightbulbs, wood logs, bronze castings, and a bicycle with electric currents. The Montreal-based artist calls upon these basic objects to convey fundamental physical forces, all the while adding a trace of whimsy to his works. The result is a constituency of protean ingenuity. A superlative example is Overpower, 2013: A ten-thousand-volt current blazes through a bronze warrior figure that wields a sword over a broken lightbulb. Charged by the voltage, the sword ignites the bulb’s filament, resulting in an electric flash that rushes between the two objects.
The smartly titled sculpture Logged On, 2013, demonstrates the incongruity of de Broin’s practice. A steel girder stands erect on the floor, as a shorter log clings to its side. This strange embrace is maintained by an electrical current fed through a coil inserted into the log, magnetizing it to the steel beam. There is an underlying temporality in this fragile partnership’s reliance on an uninterrupted flow of power: The man-made beam, so much larger than the log, privileges the human product over the human. Elsewhere, a video titled Smoke, 2010, shows a bike being ridden through a cemetery, leaving trails of smoke behind it. De Broin creates this effect by converting the rider’s energy into an electrical current, which activates a smoke machine. As the ghostly fog dissipates it evokes terrestrial impermanence, a note echoed in the headstones through which it drifts. In the gallery, the bike itself rests against a column, affording an inspection of its mechanics. Both of these works require finite energy sources to run transformative systems if the metaphysical is at play here, the sheer brevity of what is temporal (us) has been brought fully into focus.

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